Edible furniture for times of crisis

Austerity collection by Lanzavecchia + Wai

by Serena L. Rosato
1
1 Love 1668 Visits

DESIGN_ The domestic landscape reflects our culture, our taste and our habits. The objects that populate it absorb the atmosphere that pervades the space through their physicality, functionality and identity. Ostensibly living intact through good times and also adverse ones, the domestic objects become invisible to us over time with their familiarity. How can furniture react to times of crisis? The decorational elements that were once appreciated, suddenly become superfluous and should evolve to reflect a new era of austerity; the objects become edible and offer themselves to be consumed when needed.

In four conceptual objects as "Austerity collection", Lanzavecchia + Wai repropose basic nutrients, carbohydrates, proteins, sugar and chocolate as food reserves which at the same time complement and finish the objects by covering elemental metal structures.

Piece by piece the object is eroded, exposing a soul, the core-function, which will remain over time. This will encourage us to re-think what basic necessities are: a true reflection on the essence of the things that will lead us into the future.  

AUSTERITY - Edible furniture for times of crisis from Lanzavecchia + Wai on Vimeo

 CHOCOLATE chair 


 




GRAINS sofa 

HARDTACK table


HARD CANDY coffee table

 

 

Photo©: Davide Farabegoli

 

Comments
    comment
    user
    Author
    • Serena L. Rosato

      Serena L. Rosato

      Architect

      Bari / Italy

      Architetto per vocazione, web writer per diletto. Progetta spazi e costruisce idee giocando con pixel e inchiostro, occhi curiosi e delicata ironia. Attenta ai dettagli e distratta dalle novità, costantemente alla ricerca della bellezza delle cose. Dichiarata dipendenza da viaggi, musei e scarpe. ____________________________________________________________ Architect by vocation , web writer for pleasure. She designs and builds spaces ideas playing with ink and pixels, curious eyes and de)

    References