Common Knowledge | THISS Studio

In an attempt to challenge the austerity and inaccessibility often associated with the music industry, the brief was to create a vibrant and flexible social hub that feels like a home away from home. Epitomising THISS Studio’s inclination to see a limitation as an opportunity, restrictions on architectural and structural interventions led to an interior defined by bespoke furniture, lighting and shelving to create a modular and dynamic space which facilitates knowledge sharing amongst music professionals and recording artists. Acknowledging the material investment into the space and with sustainability at the project, THISS Studio brought in Mitre and Mondays as collaborators to develop a series of demountable furniture pieces that would adapt to the needs of Common Knowledge, should they move to a different space in the future. THISS Studio and Mitre and Mondays worked closely together to develop and finesse the designs, which consider the pieces’ lifespans under commercial usage. 

The larger architectural moves involved the renovation and reconfiguration of the third and fourth floor. Restoring and retrofitting where possible, THISS Studio took a highly functional yet imaginative approach to the overall design. Materials have been carefully selected for their acoustic qualities and integrated in their rawest forms to embrace the wear and tear of coworking. THISS Studio worked closely with Mitre and Mondays to develop prototypes, select materials, develop the technical details  and deliver the final designs into production. Establishing a sense of honesty in the space, the series employs a tactile palette of cork, aluminium and sycamore from a local London plane from a felled tree near Euston. Each piece was fabricated locally at the Mitre and Mondays workshop in Islington.

Reflective of the surrounding vernacular architecture, the former warehouse’s sweeping brick facade was left untouched. Entry is on the second floor, where an open stairwell with dark timber floorboards and a chunky red valchromat balustrade leads up to the coworking space on the third floor.

Revealing the building’s origins, white-painted joists and rafters float beneath expansive glazing that spans the length of the pitched roof. Swathes of natural light enter from above and through two unusually wide sash windows that dominate the front elevation, accentuating the double-height proportions. Previously painted white, the original floorboards were painstakingly restored and retreated with a dark finish to add a sense of grounding while also reflecting light around the room.

As if one continuous piece of joinery, red valchromat continues to wrap around the top of the stairwell, forming bench seating on its outer perimeter and shelving that ascends with perspex red painted steel for storing books and vinyl records. A toasted cork table with matching stool seats adds warmth, cosiness and a distinct tactility. Designed as the main coworking desk space, the table is made up of two separating halves for a range of configurations.

Serving as an elevated centrepiece, bespoke sails made from a nonwoven material are suspended from a sage green steel frame that is fixed between two ceiling joists above the communal cork table. After meticulous prototyping, Mitre and Mondays selected a non-woven ground membrane material for its flexibility.  Tension cables allow gravity to hold the sails in a perfect curvature, framing LED lights within that illuminate natural textures in the paper and create a warm domestic glow.

Custom, freestanding aluminium bench seats with red upholstered cushions echo the red valchromat joinery throughout the office, as well as inbuilt, aluminium desks that span the length of the coworking space to one side. Framing each deskspace, steel painted in a sage green runs between untreated plane joinery sourced from Fallen and Felled to create a record display above. Consciously sourced, aluminium was selected for its lightweight quality, as well as its recyclability and gentle lustre.

Adding a sense of continuity, cork panels line the base of the walls to absorb sound. A galley kitchen and bathroom adjacent have been minimally renovated and reconfigured for better flow.

Opposite the central stairwell, an existing spiral staircase has been retrofitted with aluminium panels and the same sage green to create a sense of visual continuity. It ascends to a cosy break room on the fourth floor where red valchromat joinery continues to form open storage and bench seating, while also cleverly concealing an air handling unit which provides ventilation to the recording studio adjacent. Exposed brick flows along the upper walls between both rooms to retain a sense of domesticity.

The triple-aspect recording studio is fitted with double layers of insulation and offers views across multiple elevations, allowing artists and producers to feel as if at home in their office or bedroom. The recording studio was designed in collaboration with Noatune, isolating the space acoustically from the main office with insulated floors and lined walls. The walls feature a range of fabric panels, bass traps and valchromat diffusers to create an acoustic suitable for songwriting. Cork panelling at the base is backed with sheeps wool insulation for acoustic diffusion.Dark pine joinery sits adjacent to an internal, circular window overlooking the bespoke lighting sails and the coworking space below.

Photography: Henry Woide

Website: https://www.henrywoide.co.uk/