In Search of Hy-Brasil

The exhibition, In Search of Hy-Brasil, is curated by a team of five architects, Peter Carroll, Peter Cody, Elizabeth Hatz, Mary Laheen and Joseph Mackey. Ireland at Venice is an initiative of Culture Ireland in partnership with the Arts Council. 
 
In Search of Hy-Brasil presents fieldwork from Ireland’s remote islands, investigating their diverse cultures, communities, and experiences. The exhibition has a focus on renewable energy, ethical food production and biodiversity, capturing the islands’ sustainable methods of livelihood through drawing, models, film, sound, writing and language, to raise awareness of the islanders’ management of resources and their balancing of the delicate equilibrium between culture and nature. The pavilion responds to the theme, The Laboratory of the Future - selected by curator of the Biennale Architettura 2023, Lesley Lokko.
 
The exhibition offers an immersive experience using local materials that highlight the traditional heritage of each island; for example sea sacks woven from discarded fishers’ rope, a linen tapestry mapping Ireland’s maritime zone and an abstraction of Sceilg Mhichíl made from Galway sheep’s wool. The installation includes large slabs of local limestone from the offshore islands of Inis Meáin (Inishmaan), UNESCO World Heritage site Sceilg Mhichíl (Skellig Michael) and Cliara (Clare Island). In doing this, In Search of Hy-Brasil shifts between the global and the local, the territorial and the intimate and gives international audiences the chance to experience connections between the social fabric, cultural landscape and ecology of these islands. The exhibition is also steeped in the Irish language through voice, writing and song.
 
Ireland at Venice 2023 builds on Ireland’s strong presence at the International Architecture Exhibition of La biennale di Venezia. In recent years the Biennale Architettura 2018 was curated by Shelley McNamara and Yvonne Farrell of Grafton Architects. This year sees the involvement of Irish architects Emmett Scanlon, Alice Clancy and Laurence Lord on the Biennale’s Curator Lesley Lokko’s curatorial team. Culture Ireland is also supporting the project of BothAnd Group, which is participating in Curator’s Special Projects at the 18th International Architecture Exhibition curated by Lesley Lokko. Also supported by Culture Ireland, a project by architect Miriam Dunne will be featured in Time Space Existence, running in Venice at the same time as the Biennale this year. 
 
The exhibition will continue in Venice from May until November and will then undertake a national tour of Ireland in 2024, supported by The Arts Council. The tour will recreate elements of the installation on the islands, with the curatorial team seeking to create an enriched narrative, bringing voices from peripheral locations into mainstream conversations around our global future. The curators of the installation will publish a book of essays and contribute to a film documentary.
 

In Search of Hy-Brasil - Ireland’s Maritime Zone

The five curators have studied the island landscapes of Inis Meáin (Inishmaan), UNESCO World Heritage site Sceilg Mhichíl (Skellig Michael) and Cliara (Clare Island) through drawing, survey, film, sound, model, mapping, and story. The installation will offer an immersive experience that draws connections between the social fabric, cultural landscape and ecology of these islands, shifting between the global and the local, the territorial and the intimate.

Large limestone slabs of three of the islands - Inis Meáin, Sceilg Mhichíl and Cliara and their related ocean floor - will be on display, alongside a range of hands-on tactile displays, which celebrate the use of local materials in innovative and unorthodox ways.

These include:

·      A hung linen tapestry mapping the extraordinary complexity and rich topography of Ireland’s maritime zone and beyond;

·      An abstraction of Sceilg Mhichíl made from Galway sheep’s wool, a traditionally mill-woven yarn, re-proposed within the pavilion in an entirely different light;

·      Clare Island Survey, including a biological scientific study of microorganisms endangered by the climate crisis;

·      A sea of interpretive drawings revealing aspects of unique living conditions on the islands;

·      A film and soundscape of Inis Meáin, combining language, landscape, ocean, time and light;

·      Sea sacks woven from discarded fishers’ rope and filled with the by-product from the production of yarn;

·      A graphite rendering of the Pangaea, a reminder of our shared landmass in geological time”