The winners of the 2022 Aga Khan Award for Architecture (AKAA) were announced last 22 September 2022.
The six Award winners, who will share the $1 million award, one of the largest in architecture, show promise for communities, innovation and care for the environment.
Bangladesh
Urban River Spaces, Jhenaidah by Co.Creation Architects / Khondaker Hasibul Kabir, Suhailey Farzana
©Aga Khan Trust for Culture / Asif Salman (photographer)
©Aga Khan Trust for Culture / Asif Salman (photographer)
Through consistent community participation and appropriation, extensive involvement of women and marginalised groups, and a local workforce, the seemingly simple undertaking of cleaning up the access to the Nabaganga river in Jhenaidah led to a thoughtful and minimal landscaping project with local materials and construction techniques, thus transforming a derelict informal dump site into an attractive and accessible multifunctional space that is valued by Jhenaidah’s diverse communities. As such, the project managed to reverse the ecological degradation and health hazards of the river and its banks, and induce effective ecological improvement of the river, in one of the most riverine countries on earth. [Extract, Jury Citation]
Community Spaces in Rohingya Refugee Response, Cox’s Bazar, by Rizvi Hassan, Khwaja Fatmi, Saad Ben Mostafa
©Aga Khan Trust for Culture / Asif Salman (photographer)
©Aga Khan Trust for Culture / Asif Salman (photographer)
The six temporary community spaces of the Rohingya Refugee Response programme provide a dignified, sensitive and ingenious response to emergency needs related to the major influx of Rohingya refugees into Bangladeshi host communities, with particular attention to the safety of women and girls. The concept and design of the six spaces are the result of appropriate planning, solid partnerships and inclusive processes involving the diverse refugee and host communities, such as defining spatial and functional needs. [Extract, Jury Citation]
Indonesia
Banyuwangi International Airport, Blimbingsari, East Java, by Andra Matin
©Aga Khan Trust for Culture / Mario Wibowo (photographer)
©Aga Khan Trust for Culture / Mario Wibowo (photographer)
Arising from a sea of a paddy fields, the building extends the language of the landscape into a concentrated event that coalesces architecture, functionality and setting in a seamless yet discernible disposition. Modern and efficient in all aspects, but at home in its place, Banyuwangi International Airport may be a game-changer in airport architecture, especially considering that the Indonesian government is set to build some 300 airports in the near future. [Extract, Jury Citation]
Iran
Argo Contemporary Art Museum & Cultural Centre, Tehran, by ASA North / Ahmadreza Schricker Design
© Aga Khan Trust for Culture / Deed Studio (photographer)
©Aga Khan Trust for Culture / Deed Studio (photographer)
©Aga Khan Trust for Culture / Deed Studio (photographer)
In the dense urban neighbourhood that is Tehran’s historical centre, this untypical reuse and conservation project has transformed the Argo Factory – a former brewery whose activities were moved 10 years before the Iranian Revolution, for pollution reasons, to a site outside the city – into a private museum for contemporary art. From the ruins of the original building, the existing brewery was renovated and new surfaces built with a subtle approach and design. A variety of spaces for exhibitions, talks and films were developed over four levels, and a new artist residence was built adjacent to the museum. [Extract, Jury Citation]
Lebanon
Renovation of Niemeyer Guest House, Tripoli, by East Architecture Studio / Nicolas Fayad, Charles Kettaneh
©Aga Khan Trust for Culture / Cemal Emden (photographer)©Aga Khan Trust for Culture / Cemal Emden (photographer)
The renovation of the Niemeyer Guest House is an inspiring tale of architecture’s capacity for repair, at a time of dizzying, entangled crisis around the world, and in Lebanon in particular, as the country faces unprecedented political, socio-economic and environmental collapse. Located on the outskirts of Tripoli – one of the oldest and most beautiful port cities, once renowned for its craft but today ravaged by extreme poverty, migration and lack of public space – the rehabilitation of the Guest House is part of the Rachid Karami International Fair (RKIF), the unfinished masterpiece of the architect Oscar Niemeyer. [Extract, Jury Citation]
Senegal
CEM Kamanar Secondary School, Thionck Essyl, by DAWOffice
©Aga Khan Trust for Culture / Amir Anoushfar (photographer)©Aga Khan Trust for Culture / Amir Anoushfar (photographer)
A campus replete with infrastructure, buildings, landscapes and furnishings, the Kamanar Secondary School is unique in that it addresses the multiple scales of urbanism, landscape, architecture and building technologies with equal commitment and virtuosity. The site’s topography and flora are the key founding conditions of this project, prompting the introduction of a grid of classroom pods organised around pre-existing tree canopies, adopting their shade as social spaces that serve the students and teachers alike. [Extract, Jury Citation]
The Aga Khan Award for Architecture was established in 1977 by His Highness the Aga Khan, 49th hereditary Imam of the Ismaili Muslims, to identify and encourage building concepts that successfully address the needs and aspirations of communities in which Muslims have a significant presence. The Award’s selection process emphasises architecture that not only provides for people’s physical, social and economic needs, but that also stimulates and responds to their cultural aspirations.
This year marks AKAA’s 45th anniversary. In a meeting in February 2022, an independent Master Jury shortlisted 20 projects from a pool of 463 projects nominated for the 15th Award Cycle (2020-2022). Subsequently, after on-site reviews of the shortlist by a team of experts, the jury awarded six projects amongst them.
The 2022 Award Master Jury
The nine members of the independent Master Jury who selected the 20 shortlisted projects are: Nada Al Hassan, an architect specialising in the conservation of architectural and urban heritage; Amale Andraos, Professor at the Columbia University Graduate School of Architecture, Planning and Preservation; Kader Attia, an artist who explores the wide-ranging effects of western cultural hegemony and colonialism; Kazi Khaleed Ashraf, director-general of Bengal Institute for Architecture, Landscapes and Settlements, in Dhaka, Bangladesh; Sibel Bozdoğan, a Visiting Professor of Modern Architecture and Urbanism at the Department of the History of Art and Architecture, Boston University; Lina Ghotmeh, a French-Lebanese architect who leads a practice where every project learns from a vernacular past to build a new “déjà-là”; Diébédo Francis Kéré, an AKAA laureate and internationally renowned Burkinabè architect who received the Award in 2004 for his first project, an elementary school in Gando, Burkina Faso; Anne Lacaton, founder of Lacaton & Vassal in Bordeaux in 1989, who focuses on the generosity of space and economy of means; Nader Tehrani, founding principal of NADAAA, a practice dedicated to design innovation, collaboration and a dialogue with the construction industry.
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