Imagine the flight of a small bird from a doom roof,
A crow frolicking and giving life to a giant tower,
Pigeons playing on the top of city’s forsaken silo in the rain,
Gazing at a crow’s flying way on top of naked Poplar,
Struggling to reach the highest point possible,
Flying triumphantly over the water supply tank,
The creators of all these scenes are these ignored black dots. Undoubtedly, without these dots, all of these scenes would have different implications.
The image collection of these black dots intends to portray the visual and aesthetics characteristics of the birds as visual elements in our spaces and surrounding environments as far as the birds are considered to be ornament to the spatial framework and are presented as composing elements to our environment.
With birds having an unprecedented experience of the surrounding is possible, thus.
Presenting animate and inanimate together, despite carrying a semantic paradox create a unique atmosphere. Birds, hiding among the naked branches of trees in the silence of the forsaken places where hitherto had been gray and soulless and in creating and reconstruction of the images that viewer would recognize from the minaret and dome all and all would confirm the role played by these black dots as the visual elements in a spatial framework.
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