Lares | Christian Tattoli
Riccione / Italy / 2002
0
The structural design induces the chair
to lose its classical conventional meaning
and, with its new shape and structural elements,
to be the player of the new space, enlarging this
into one where each functional element, such as
the light source, table shelf, screens, has a specific
perpetual role, whether the user is present or not.
All these elements are favourably combined with
a structure of wood or steel, bent in on itself to
provide a personal space on an upper floor level,
where the user can enjoy their private,
personal meditation whilst sharing
to lose its classical conventional meaning
and, with its new shape and structural elements,
to be the player of the new space, enlarging this
into one where each functional element, such as
the light source, table shelf, screens, has a specific
perpetual role, whether the user is present or not.
All these elements are favourably combined with
a structure of wood or steel, bent in on itself to
provide a personal space on an upper floor level,
where the user can enjoy their private,
personal meditation whilst sharing
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Enlarge image
The structural design induces the chair to lose its classical conventional meaning and, with its new shape and structural elements, to be the player of the new space, enlarging this into one where each functional element, such as the light source, table shelf, screens, has a specific perpetual role, whether the user is present or not. All these elements are favourably combined with a structure of wood or steel, bent in on itself to provide a personal space on an upper floor level, where...
- Year 2002
- Status Competition works
- Type Bars/Cafés
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