Two Bay House | MISA architects

In-Betweenness of the Built and the Unbuilt Chekhla Village / India / 2020

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“Out beyond ideas of wrongdoing and rightdoing there is a field. I'll meet you there.” Rumi. Where is this field of ours? How do you envisage this field? How do you create an “in-between” space? The Indian mythological story about Hiranyakashipu talks about this in-between concept in a metaphorical way. The story is about a demon who could not be killed via a complete or absolute form (man / beast, devil / god, day / night, indoors / outdoors, earth / sky and so on).


This context creates a fundamental question in one’s head – if not absolute, is there something that lies ‘in-between’, something which imbibes a bit of both – and more importantly, something that can be considered a form in itself?


The Two Bay House is the manifestation of this very concept. Neither inside, nor outside, neither solid, nor void, neither public nor private, neither complete nor incomplete – rather a threshold between these. The in-between space is the central element of this house – and the entire planning revolves - around this.


To empower this element, the corridor is given an identity – a larger than life scale. As you enter the corridor, you notice the double height space that defines the language and aesthetic of this place.


The corridor is intentionally bound in a certain geometry that lets you access the two bays on either side – but still maintains its own character. The three punctures on the roof create the play of light and shadow – the entry point is actually a calculated placement to create a natural spotlight as one enters through the monumental threshold. The water channels on either sides along the corridor are replenished by rains, during monsoons – again an intentional in-betweenness of the natural and the built.


These water channels are the buffers between the corridor and the other spaces – living, dining and kitchen in the left bay; and rooms and swimming pool in the right bay. The access to these bays is like a bridge over these water channels. During festivities, the user personalizes this space by placing oil lamps and flowers on the water surface. This space – the corridor – is the building’s soul. As we move along the place, the journey unfolds.


There are courtyards that open up, the bedrooms lead to the attached garden (backyard), and the living / dining / kitchen come across as a single continuous space with supporting elements that make it efficient yet completely consolidated and accessible. The large openings of the living act like a large screen, leading to the amphitheater. This extended plinth level terrace is the again the transition between the public and the private spaces – literally setting a stage for the expansive green lawns and the unbuilt thereon. The landscape along the driveway is a natural barrier, and thus, keeps this enormous green space a mystery till one reaches the vantage point. By design, the built footprint in only about 5% of the entire land parcel. This house is the field we were looking for.


Completion Year: February 2020
Gross Built Area (m2/ ft2): 1, 80,000 sq.ft. Project location: Chekhla Village _India Program: Residential


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Lead Architects: Kranti Desai, Anand Jasani, Vipul Jiyani, Tarun Patel


Photographer
Inclined studio
www.inclinedstudio.com

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    Project Authors
    • MISA architects

      MISA architects

      Principal Architect

    “Out beyond ideas of wrongdoing and rightdoing there is a field. I'll meet you there.” Rumi. Where is this field of ours? How do you envisage this field? How do you create an “in-between” space? The Indian mythological story about Hiranyakashipu talks about this in-between concept in a metaphorical way. The story is about a demon who could not be killed via a complete or absolute form (man / beast, devil / god, day / night, indoors / outdoors, earth / sky and so...

    Project details
    • Year 2020
    • Work finished in 2020
    • Status Completed works
    • Type Single-family residence / Interior Design
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