This 'Folie Architecturale of the 21st century' was mainly the brainchild of an encounter between Japan and the Mediterranean. The cross-cultural endeavour embodies modern Montpellier. It is also an interchange between two generations of architects, with Japanese firm Sou Fujimoto at the state of its art and the young French generation represented by Manal Rachdi Oxo Architects and Nicolas Laisné Associés. Other firms were brought in to take part in this one-of-a-kind venture: Montpellier developers Promeo Patrimoine and Evolis Promotion, local stakeholders who will ensure this iconic project will represent success for the entire region.
The new multipurpose tower called Arbre Blanc (white tree) is designed for housing, a restaurant, an art gallery, offices, a bar with a panoramic view and a common area. From the project’s concept phase, the architects were heavily inspired by Montpellier's tradition of outdoor living. The tower is strategically located between the city centre and the newly developed districts of Port Marianne and Odysseum, midway between the 'old' and the new Montpellier.
It is also situated at the crossroads of several thoroughfares: the Lez River, the motorway and the pedestrian/cycling path along the banks of the octroi de Montpellier, or land grant. The project will kick off with a grand gesture to extend a landscaped park along the Lez and stretch out the length of Christophe Colomb Place. The eastern face curves along the edge of the roundabout while the western side on the Lez is convex to create the widest panorama possible. The curvature serves two purposes because this part of the facade offers the best exposure and viewpoint but does not block the view for neighbouring residences.
The building was sited to meld with and defer to its surrounding environment, yet gives it just the right added flair. Arching like a pair of wings hugging the contours of the Lez River down to Pompignane Avenue, Arbre Blanc was intentioned as a natural form that was carved out or sculpted over time by water or wind. It perfectly mimics a tree reshaping itself to grow into its environment yet simultaneously enhancing it by offering much-needed shade.
Despite the name 'white tree,' this is by no means an ivory tower. A beat integral to the urban song, the building is destined as a public high-rise built for every soul in Montpellier. The edifice will extend its limbs to all the city's residents and visitors, from the ground floor restaurant and art gallery to the penthouse bar serving as vista point. This attainable passage will make the tower that much more attractive as a source of pride for Montpellians and a point of interest for tourists.
Of all people, the building is unavoidable for its inhabitants, so a common space has been added on to the public bar where all the co-owners from any floor can have a private taste of the scenic view. Spaces in the flats know no difference between inside and outside – you are free to move through them instinctively. The balconies are proportioned to make you gravitate toward the outdoors, like leaves fanning out to soak up the warm nourishing sunlight.
Rather than an interesting flat, future residents will find a versatile space. Each resident will select a setting (west-facing three-bedroom, southeast two-bedroom, etc.) and a preferred floor plan from a list of possible layouts.
L'Arbre Blanc, nom de cette nouvelle tour multi-programmatique (Logements, restaurant, galerie d'art, bureaux, bar panoramique, espace partagé), fait l'objet d'un attachement tout particulier aux qualités du «vivre dehors» à Montpellier, ce dont les architectes ont su s'inspirer dès les prémisses du projet. La tour occupe une position stratégique pour la ville de Montpellier, entre le centre-ville et les quartiers récents de Port Marianne et d’Odysseum, à mi-chemin entre le « vieux » et le nouveau Montpellier.
Cette tour de dix-sept étages, unique dans le panorama Montpelliérain, offre une occasion exceptionnelle de profiter des vues imprenables vers la mer, le Pic Saint-Loup, ainsi que vers la ville et le Lez en contrebas.
L’arbre blanc se nourrit d’une identité méditerranéenne mais également d’une culture japonaise: des limites épaisses et poreuses pour vivre dedans et dehors, une confusion entre le salon et le balcon, des espaces extérieurs d’une rare générosité voués à devenir des lieux de vie à part entière. Une première dans le monde, eu égard à la profondeur et au niveau d’équipement de ces jardins suspendus, d’une surface au moins égale à la moitié de celle des appartements et pouvant accueillir des plantes, tables, chaises, bancs, rangements...
55 users love this project