[EN] - Frits van Dongen and Patrick Koschuch, who are both formerly architects of ‘de Architekten Cie’, latest project is the Kunstcluster (Art Cluster), situated in the Dutch city of Nieuwegein. The building is destined to become a landmark within the town centre which is in the process of being regenerated over the next few years. A new town hall is to be built, with shops, homes and offices above street level and an underground car park below.
The Kunstcluster is made up of two blocks; the theatre and arts centre and a multi-storey car park, which includes a retail outlet on the ground floor. The new theatre includes an auditorium and a studio theatre. The main auditorium can seat up to 700 people, with a podium and ample stage space for all types of production. The studio theatre is considerably smaller with the capacity to seat 200 people but has a foldaway stage so it can be used for various events, including pop and rock music concerts. The future arts centre will be located above the theatre, a multifunctional venue for music, dance and acting classes.
The ceiling and balcony in the main auditorium are entirely clad in acoustic MDF panelling with a natural veneer facing in American walnut. Frits van Dongen, who is currently Chief State architect alongside his work at his own practice commented, “We chose walnut to enhance the overall cocoon type feeling within the building – a warm atmosphere and community feeling, which the curves of the wood also reinforce.” Over 3,000 MDF walnut panels were manufactured by the bespoke joinery contractor, Keijsers Lundiform. The panels were veneered by hand at the contractor’s Polish plant and, before being shipped to the Netherlands, were carefully selected and assembled in order to obtain consistent tone and grain pattern. Twan Derks, the project coordinator explains, “Using a 3D modelling system and CNC machine, each panel was cut to size and numbered. Some of the more complex sections had to be assembled at our warehouse before being installed on site. The ceiling panels, for example are curved and had to be bent first to fit exactly the right shape. To obtain a high quality of acoustics, the panels are not flush but slightly staggered on different levels to absorb sound. The curved rim sections of certain balconies are made in solid American walnut.”
Completing the complex are three spectacular foyers and a theatre café which looks on to the town’s central square, the Stadsplein. Frits van Dongen and Patrick Koschuch specified American tulipwood cladding for the curved walls in the foyer because they were attracted to tulipwood’s varied natural tones with cream white and pale olive green in the sapwood contrasting with dark purple, brown and olive streaks in the heartwood. “This wood specie was the perfect choice to symbolise the variety of spaces within the building and the interaction between the foyer, the hall and the audience,” commented Koschuch. To meet the architect’s specifications Derako International, the cladding system suppliers, engineered the solid tulipwood slats in three different dimensions (45x70 mm, 30x98 mm and 15x126 mm), which were then randomly fixed on their metal carrier system. The variety of tones is enhanced by the deliberate random assembly of the slats. The tulipwood slats are also fixed on slightly different levels to increase sound absorption. Sita Veer from Derako International explains, ‘The tulipwood cladding wraps around several curved walls and therefore our production plant had to shape the metal carriers to 7 different types of radii using precision tools. We also had to take into consideration the wall lights which are embedded in the wooden wall cladding. We based the plans on the building’s CAD drawing to design our carrier system’. The finished wall cladding successfully highlights the natural colour variations in tulipwood and this is enhanced by the random placement of the cladding slats.
The external glazing of the foyer area is coated with a print finish on the inside, creating an illusion of stage curtains. This is also functional and reduces the level of light penetration from the south and east facing façades, preventing overheating in the grand staircase and foyer area on warm days. The level of pigmentation of the print is sufficiently transparent to be seen through. A ‘shop window,’ roughly 20 metres high, enables passers-by walking across the central square to get a glimpse of the foyer and audience inside. Theatregoers, in turn, overlook the town centre from the three foyers, respectively 5, 10 and 15 metres above ground level. The façade is floodlit after dark with energy-saving LED lighting.
In the redeveloped town centre nearly all the cars will be parked underground with the exception of the multi-storey car park next to the Kunstcluster. This block is literally a green lung in the stone-built urban environment. The design intent was to make the parking structure carbon-neutral both to build as well to operate. The garage facade on the Stadsplein side is four metres thick and contains a cascade stairway that wends its way up and down through a bamboo plantation six metres high. Prints on the balustrades and other glazed surfaces graphically reflect the bamboo image. The ground floor accommodates a retail outlet to create a vibrant city streetscape.
The Kunstcluster (Art Cluster) is a landmark of the town centre of Nieuwegein, which has being going through redevelopment in the past few years. A new town hall has been built, shops, homes and offices above ground, and underground parking. The site of the Kunstcluster consists of two conjoined blocks: the theatre with arts centre as well as the multi-storey car park combined with retail space.
The new theatre comprises two auditoria: a main stage with circle, seating audiences of 650 – 700, with podium and ample stage space for all types of production; and a studio theatre seating 200, also with circle. The studio consists of flat floor and foldaway stage, and will be available for events of all kinds, including pop and other music. Completing the complex are three spectacular foyers and a theatre café looking on to the central square, the Stadsplein. Above the theatre will be an arts centre, a multifunctional venue for music, dance and acting classes.
The glass façade is printed, to give the illusion of (stage) curtains. This applied print also considerably reduces the percentage of light penetration via the south and east façade, preventing overheating on sunny days. The foyers, and therefore most people, are located on the Stadsplein façade to the south. Here, the pigment of the print is sufficiently transparent and translucent to make the image visible from inside to outside, and from outside looking in.
A ‘shop window,’ roughly 20 metres high, enables anyone walking across the central square to get a glimpse of the audiences inside. Theatregoers, in turn, overlook the town centre from the three foyers, respectively 5, 10 and 15 metres up. The façade is floodlit after dark with energy-saving LED lighting.
In the redeveloped town centre nearly all cars will go underground. The multi-storey car park next to the Kunstcluster is an exception. This block is literally a green lung in the stone-built urban environment. Analysis during the design process came up with the idea of a parking structure which would be carbon-neutral both to build and, expressly also, to operate. The garage frontage on the Stadsplein side is four metres thick. Here a cascade stairway wends its way up/down through a bamboo plantation six metres high. Prints on the balustrades and other glazed surfaces graphically reflect the bamboo image. The ground floor accommodates retail, resulting in a living streetscape.
The project was executed whilst Frits van Dongen and Patrick Koschuch were still part of the Architekten Cie.
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